The Twisted Road: Finding Home in America

Opening January 9, 2025, The Twisted Road: Finding Home in America examines over 200 years of U.S. immigration history through the lens of art and historical narratives. As national conversations about immigration and border policies intensify under the new administration, the exhibition invites visitors to reflect on the complexities of migration, cultural identity, and U.S. immigration history.

Through archival photographs, political cartoons, historical artifacts from the Arizona Historical Society, and contemporary artworks, The Twisted Road highlights the hopes and hardships faced by individuals and families seeking a new life in America. While moments of welcome have been part of the story, newcomers often face resistance, a pattern repeated with each new wave of migration. The exhibition illuminates how these struggles and triumphs have shaped the diverse tapestry of America, raising important questions about what the future holds for immigration policy and how pathways for legal migration can be expanded.

A highlight of the exhibition is the inclusion of contemporary works by Arizona-based immigrant artists, each bringing personal stories to life:

• Anh-Thuy Nguyen, a Vietnamese-American artist, explores themes of cultural identity and migration through photography, video, and performance art, offering poignant insights into her own transformative journey.

• Safwat Saleem, originally from Pakistan, uses humor and satire in his multidisciplinary work to challenge cultural narratives and advocate for joy and preservation in immigrant experiences.

• Perla Segovia, born in Peru, uses glass and textile techniques to address social themes involving women and immigration, drawing on her diverse global experiences.

  
  

The exhibition will open with a special evening event on January 9, featuring a curator-led tour, remarks by Tucson immigration attorney Mo Goldman, and discussions with featured artists.

This exhibition was funded by a grant from Arizona Humanities and the National Endowment for the Humanities. Additional sponsorships from the James C. Stewart Charitable.